Celtic engagement rings - Celtic wedding rings

Topaz is Novembers Birthstone

It is a fluorine aluminium silicate and comes in yellow, yellow-brown, honey-yellow, flax, brown, green, blue, light blue, red and pink … and sometimes it has no colour at all. The topaz.

The topaz has been known for at least 2000 years and is one of the gemstones which form the foundations of the twelve gates to the Holy City of the New Jerusalem. These so-called apocalyptic stones are intended to serve in protection against enemies and as a symbol of beauty and splendour. It cannot be proved conclusively whether the name of the topaz comes from the Sanskrit or the Greek, though the Greek name ‘topazos’ means ‘green gemstone’. The Romans dedicated the topaz to Jupiter.

The colour in which the topaz is most commonly found is yellow, and that is the colour in which it occurs in one of the major German gemstone rocks, the Schneckenstein (a topaz-bearing rock said to resemble a snail) in Saxony. In the 18th century, it was mined there during a period of over 60 years. However, most of the crystals were hardly a centimetre in diameter. You had to go to Siberia or Brazil to find crystals as large as your fist. Having said that, anyone who is interested can convince himself of the beauty of cut specimens in the topaz set in Dresden’s Grünes Gewölbe (Green Vault). The enormous and magnificent topaz from the Portuguese crown, the Braganza, was for a long time thought to be a diamond. It weighs 1680 ct..

In mysticism, the topaz is attributed with a cooling, styptic and appetising effect. It is said to dispel sadness, anger and nocturnal fears, to warn its wearer of poisons and protect him or her from sudden death. It is reputed to make men handsome and intelligent and sterile women fertile and happy. However, it is probably better not to rely too much on its magical powers, since it was also claimed that you could immerse your hand in boiling water after a topaz had been thrown into it and retract it again unharmed! It is the stone of the month November.

In the Empire style, the topaz was still widespread, but then the more reasonably priced citrine took over from it and even usurped its name - gold topaz. Since then, the topaz has been a rather exotic figure in the jewellery trade, and has been given the additional predicate ‘pure’ to make it clear that the topaz, not the quartz topaz, is meant. And it is still waiting for its well deserved comeback to this day.

The history of Australian Opal began actually millions of years ago, when parts of Australia were covered by a vast inland sea, and stone sediment was deposited along its shoreline. When the water masses flooded back, they flushed water containing silica into the resulting cavities and niches in the sedimentary rocks, and also the remains of plants and animals were deposited there. Slowly the silica stone transformed into Opal, for basically Opals are simply a combination of silica and water. Or, to be more precise: Opals are a gel from silica, with varying percentages of water.

In 1849 the first Opal blocks were accidentally found on an Australian cattle station called Tarravilla . the first Opal prospectors started in 1890 at White Cliff mining the Opal rocks. And even today the eyes of Opal lovers light up when somebody mentions places like White Cliffs, Lightning Ridge, Andamooka or Coober Peddy: for these are the legendary sites of the Australian Opal fields. The most famous one is probably Lightning Ridge, the place where mainly the coveted Black Opal is found. Andamooka, where Crystal Opal and Light Opal are brought to the light of day, cam boasts to be the place where the probably largest Opal was found, with a weight of 6 ,843 kilograms, the “Andamooka Desert Flame”. Coober Peddy, by the way, is a word from Aborigine language meaning „white man in a hole“. This clearly describes how Opal was in fact mined: many Opal prospectors made their home in deep holes or caves in the ground, to protect themselves from the burning heat of daytime and from the icy winds of night time. Usually they worked only with tolls such as pick and shovel. Buckets full of soil, hopefully containing Opal rocks, were pulled up out of the depths of 5 to 40 m deep shafts by hand, for this is the depth of the Opal containing crevices and cavities, which are also mined nowadays.
Being an Opal prospector is still not an easy job, although today of course there are some technical means available, such as trucks or conveyor belts. And still the hope to make the find of a lifetime which will let you live happily ever after attracts many men and women to come to the hot and dusty Australian outback.

About cabochons, doublets and triplets

In order to best bring out the play of colour in a Fine Opal, the stones are cut and polished to round or oval cabochons, or any other softly domed shape , depending on the raw material. Only the best qualities of Fire Opal, however, are suited to faceting. The Opal cutter will first of all carefully remove any impurities using a diamond cutting wheel, before working out the rough basic shape. Then comes the fine cutting, the finishing with sandpaper and then the final polishing with a wet leather wheel.

Opal is often found as flat lenses, or thin layers, bigger pieces are rather rare. If you leave a thin but supporting layer of the harder mother rock, you will receive a pre-stage of the Opal-doublets which are frequently used today for mass produced jewellery. These are gemstone combinations consisting of a surface from millimeter-thin Opal plates, which have been mounted on Onyx, Obsidian, artificial black glass, or Potch-Opal. Triplets have been developed from this design, here the Opal layer receives an additional cover from Rock Crystal, Plastic, Hard Glass or Lead Glass for protection.

Opal love to be worn on the skin

Due to the differing percentage of water, Opals may easily become brittle. They always contain water – usually between 2 and 6 per cent, but sometimes even more. Thus if stored too dry or exposed to heat over a longer period of time, Opals will show fissures and the play of colour will become paler. Therefore, Opal jewellery should be worn as often as possible, for then the gemstone will receive the needed humidity from the air and from the skin of its wearer.

Opals are not very hard: they only achieve 5.5 to 6 on the Mohs’ scale. Therefore they appreciate a protective setting. In earlier days Opal’s sensitive surface was often oiled, but today also sealing them with colourless artificial resin has become quite popular.

From Harlequin to Peacock: Opal experts lingo

When Opal experts talk about “harlequin”, “church windows” or “needle fire”, do not be surprised. They are probably discussing Opals. The play of colour in this stone is described with many imaginative terms for various structures and phenomena, like, for example, “flame opal”, “lightning and peacock opal”, or the above named “harlequin” and “church window”.

Opal’s value is not only determined by the body colour, transparency and factors based on place of occurrence. (Body colour refers to the basic colour of the gemstone, which can be black, dark or light and coloured). It is also important if the stone is transparent, translucent or opaque. And the opalizing effect may also influence the transparency.

Black Opal or Opal with a dark grey body shows the most brilliant play of colours imaginable. Crystal opal, which comes immediately after Black Opal in the hit list, should be more transparent with a deep play of colours. White or milky Opals show more diffuse colours and are the least expensive Opals. The occurrence-specific characteristics include, for instance, denominations such as “Black Opal from Lightning Ridge” (we are talking absolute top luxury here) or “Mexican Fire Opal”.

The most important criterion for determining the price of an Opal, however, is the play of colour, the colours as such and their pattern. If the colour red appears when looking through the stone, all the other colours will appear also. For evaluating Opals the thickness of the Opal layer is considered, the beauty of the patterning, the cut, weight and finish. Finally the total impression will be decisive, and of course offer and demand will determine ho much you will have to pay for “your” Opal. If you are interested in a really valuable specimen, get an Opal expert to advise you, because it takes a real expert to know about the many criteria which determine the price.

Opals and emotions

For age’s people have been believing in the healing power of Opal. It is reported to be able to solve depressions and to help its wearer find the true and real love. Opals are supposed to further enhance the positive characteristics for people born under the zodiac sign of Cancer. Black Opal is recommended to those born under Scorpio, and Boulder Opal is the lucky stone for Aries.

The fantastic colour play of Opal reflects changing emotions and moods of people. Fire and water, the sparkling images of Boulder Opal, the vivid light flashes of Black Opal or the soft shine of Milk Opal – striking contrasts characterise the colourful world of this fascinating gemstone. Maybe this is the reason why it depends on our daily mood which Opal we prefer. Opals are like human emotions: you always experience them different and anew.

Sapphire

In earlier times, some people believed that the firmament was an enormous blue sapphire in which the Earth was embedded. Could there be a more apt image to describe the beauty of an immaculate sapphire? And yet this gem comes not in one but in all the blue shades of that firmament, from the deep blue of the evening sky to the shining mid-blue of a lovely summer’s day which casts its spell over us. However, this magnificent gemstone also comes in many other colours: not only in the transparent greyish-blue of a distant horizon but also in the gloriously colourful play of light in a sunset – in yellow, pink, orange and purple. Sapphires really are gems of the sky, although they are found in the hard ground of our ‘blue planet’.

Blue is the main colour of the sapphire. Blue is also the favourite colour of some 50 per cent of all people, men and women alike. We associate this colour, strongly linked to the sapphire as it is, with feelings of sympathy and harmony, friendship and loyalty: feelings which belong to qualities that prove their worth in the long term – feelings in which it is not so much effervescent passion that is to the fore, but rather composure, mutual understanding and indestructible trust. Thus the blue of the sapphire has become a colour which fits in with everything that is constant and reliable. That is one of the reasons why women in many countries wish for a sapphire ring on their engagement. The sapphire symbolises loyalty, but at the same time it gives expression to people’s love and longing. Perhaps the most famous example of this blue is to be found in music, in George Gershwin’s “Rhapsody in Blue”. And the blue of the sapphire even appears where nothing at all counts except clear-sightedness and concentrated mental effort. The first computer which succeeded in defeating a world chess champion bore the remarkable name ‘Deep Blue’.

What makes the sapphire so fancy?

Its beauty, its magnificent colours, its transparency, but also its constancy and durability are qualities associated with this gemstone by gemstone lovers and specialists alike. (This does not only apply to the blue sapphire, but more of that later on). The sapphire belongs to the corundum group, the members of which are characterised by their excellent hardness (9 on the Mohs scale). Indeed their hardness is exceeded only by that of the diamond – and the diamond is the hardest mineral on Earth! Thanks to that hardness, sapphires are easy to look after, requiring no more than the usual care on the part of the wearer.

The gemstones in the corundum group consist of pure aluminium oxide which crystallised into wonderful gemstones a long time ago as a result of pressure and heat at a great depth. The presence of small amounts of other elements, especially iron and chrome, are responsible for the colouring, turning a crystal that was basically white into a blue, red, yellow, pink or greenish sapphire. However, this does not mean that every corundum is also a sapphire. For centuries there were differences of opinion among the specialists as to which stones deserved to be called sapphires. Finally, it was agreed that the ruby-red ones, coloured by chrome, should be called ‘rubies’ and all those which were not ruby-red ’sapphires’.

If there is talk of the sapphire, most gemstone aficionados think immediately of a velvety blue. It’s a versatile colour that becomes many wearers. A blue sapphire fits in best with a well balanced lifestyle in which reliability and temperament run together and there is always a readiness to encounter things new – as with the woman who wears it. The fact that this magnificent gemstone also comes in a large number of other colours was known for a long time almost only to insiders. In the trade, sapphires which are not blue are referred to as ‘fancies’. In order to make it easier to differentiate between them, they are referred to not only by their gemstone name but also by a description of their colour. In other words, fancy sapphires are described as yellow, purple, pink, green or white sapphires. Fancy sapphires are pure individualism and are just made for lovers of individualistic coloured stone jewellery. They are currently available in a positively enchanting variety of designs - as ring stones, necklace pendants or ear jewellery, as solitaires, strung elegantly together or as sparkling pavée.

However, the sapphire has yet more surprises in store. For example there is an orange variety with a fine pink undertone which bears the poetic name ‘padparadja’, which means something like ‘lotus flower’. The star sapphires are another rarity, half-dome-cut sapphires with a starlike light effect which seems to glide across the surface of the stone when it is moved. There are said to have been gemstone lovers who fell in love with these sapphire rarities for all time. And indeed the permanence of relationships is one of the features that are said to belong to this gemstone.

Top-quality sapphires are rare

Sapphires, call them gemstones of the sky though we may, lie well hidden in just a few places, and first have to be brought to light through hard work. Sapphires are found in India, Burma, Ceylon, Thailand, Vietnam, Australia, Brazil and Africa. From the gemstone mines, the raw crystals are first taken to the cutting-centres where they are turned into sparkling gemstones by skilled hands. When cutting a sapphire, indeed, the cutter has to muster all his skill, for these gemstones are not only hard. Depending on the angle from which you look at them they also have different colours and intensities of colour. So it is the job of the cutter to orientate the raw crystals in such a way that the colour is brought out to its best advantage.

Depending on where they were found, the colour intensity and hue of the cut stones vary, which means, later on, that the wearer is rather spoilt for choice. Should she perhaps go for a mid-blue stone which will remind her even on rainy days of that shining summer sky? Or should she prefer a lighter blue because it will continue to sparkle vivaciously when evening falls? The bright light of day makes most sapphires shine more vividly than the more subdued artificial light of evening. So in fact it is not, as is often claimed, the darkest tone that is the most coveted colour of the blue sapphire, but an intense, rich, full blue which still looks blue in poor artificial light.

Specialists and connoisseurs regard the Kashmir colour with its velvety shine as the most beautiful and most valuable blue. These magnificent gemstones from Kashmir, found in 1880 after a landslide at an altitude of 16,000 feet and mined intensively over a period of eight years, were to have a lasting influence on people’s idea of the colour of a first-class sapphire. Typical of the Kashmir colour is a pure, intense blue with a very subtle violet undertone, which is intensified yet more by a fine, silky shine. It is said that this hue does not change in artificial light. But the Burmese colour is also regarded as particularly valuable. It ranges from a rich, full royal blue to a deep cornflower blue.

The oldest sapphire finds are in Ceylon, or Sri Lanka as it is known today. There, people were already digging for gemstones in ancient times. The specialist recognises Ceylon sapphires by the luminosity of their light to mid-blue colours. Having said that, most blue sapphires come either from Australia or from Thailand.

Their value depends on their size, colour and transparency. With stones of very fine quality, these are, however, not the only main criteria, the origin of the gem also playing a major role. Neither is the colour itself necessarily a function of the geographical origin of a sapphire, which explains the great differences in price between the various qualities. The most valuable are genuine Kashmir stones. Burmese sapphires are valued almost as highly, and then come the sapphires from Ceylon. The possibility of the gemstone’s having undergone some treatment or other is also a factor in determining the price, since gemstones which can be guaranteed untreated are becoming more and more sought-after in this age of gemstone cosmetics. And if the stone selected then also happens to be a genuine, certificated Kashmir or Burmese, the price will probably reflect the enthusiasm of the true gemstone lover.

It is not often that daring pioneers discover gemstones on a scale such as was the case on Madagascar a few years ago, when a gemstone deposit covering an area of several miles was found in the south-east of the island. Since then, not only have there been enough blue sapphires in the trade, but also some splendid pink and yellow sapphires of great beauty and transparency. Meanwhile, experts in Tanzania have also found initial evidence of two large-scale gemstone deposits in the form of some good, if not very large sapphire crystals coloured blue, green, yellow and orange. And the third country to register new finds recently was Brazil, where sapphires ranging from blue to purple and pink have been discovered. So lovers of the sapphire need not worry: there will, in future, be enough of these ‘heavenly’ gems with the fine colour spectrum. Top-quality sapphires, however, remain extremely rare in all the gemstone mines of the world.

Peridot

The vivid green of the peridot, with just a slight hint of gold, is the ideal gemstone colour to go with that light summer wardrobe. No wonder – since the peridot is the gemstone of the summer month of August.

The peridot is a very old gemstone, and one which has become very popular again today. It is so ancient that it can be found in Egyptian jewellery from the early 2nd millennium B.C.. The stones used at that time came from a deposit on a small volcanic island in the Red Sea, some 45 miles off the Egyptian coast at Aswan, which was not rediscovered until about 1900 and has, meanwhile, been exhausted for quite some time. Having said that, the peridot is also a thoroughly modern gemstone, for it was not until a few years ago that peridot deposits were located in the Kashmir region; and the stones from those deposits, being of an incomparably beautiful colour and transparency, have succeeded in giving a good polish to the image of this beautiful gemstone, which had paled somewhat over the millennia.

The ancient Romans too were fond of this gemstone and esteemed its radiant green shine, which does not change even in artificial light. For that reason they nicknamed it the ‘emerald of the evening’. Peridot is also found in Europe in medieval churches, where it adorns many a treasure, for example one of the shrines in Cologne Cathedral. During the baroque period, the rich green gemstone once again enjoyed a brief heyday, and then it somehow faded into oblivion.

Spectacular ‘Kashmir peridots’

But suddenly, in the middle of the 1990s, the peridot was the big sensation at gemstone fairs all round the world. The reason? In Pakistan, up on an inhospitable pass at some 4000 metres (13,120 ft.), a sensationally rich deposit of the finest peridots had been found. In tough climatic conditions which permitted the gemstones to be mined only during the summer months, the unusually large, fine crystals and fragments were brought down into the valley. These stones were finer than anything that had ever been seen before. And the deposits were so rich that the demand for peridots can, for the present, easily be satisfied.
In order to emphasise the special quality of the peridots from Pakistan, these stones are offered as ‘Kashmir peridots’, following the famous Kashmir sapphires. Creative gemstone cutters have succeeded in cutting some fascinatingly beautiful one-off stones of more than 100 carats from some of the large, fine, clear crystals with their magnificent rich green!

How green? It all depends on the iron

This gemstone has no fewer than three names: ‘peridot’, ‘chrysolite’, from the Greek ‘gold stone’, and ‘olivine’, for the peridot is the gemstone form of the mineral olivine. In the gemstone trade it is called ‘peridot’, derived from the Greek word ‘peridona’, which means something like ‘to give richness’.

The peridot is one of the few gemstones which come in one colour only. The rich, green colour with the slight tinge of gold is caused by very fine traces of iron. From a chemical point of view, peridot is an iron magnesium silicate. The intensity of the colour depends on the amount of iron actually present. The colour itself can vary over all shades of yellowish green and olive, and even to a brownish green. Peridot is not particularly hard - only 6.5 to 7 on the Mohs scale - but it is easy to look after and fairly robust. Peridot cat’s eyes and star peridot are particularly rare and precious.

The most beautiful stones come from the border area between Pakistan and Afghanistan. However, the peridot as a gemstone also exists in Myanmar, China, the USA, Africa and Australia. Stones from East Burma, now known as Myanmar, have a vivid light green and fine inclusions with a silky shine to them. Peridot from Arizona, where it is popularly used in native American jewellery, often has somewhat yellowish or gold-brown nuances.

Uncomplicated, but not for the cutter

The peridot is cut in accordance with its crystal shape, mostly faceted or in classical table cuts, or round, antique, as an octahedron or oval. Smaller crystals are cut into standardised series stones, larger ones into imaginative one-offs. Cabochons are made if the material contains more inclusions, for the domed cut brings out the fine silky shine of the inclusions to their best.

The cutters know full well that this gemstone is anything but easy to work with. The raw crystals can be very tricky and may crack easily. There is often a good deal of tension on the inside of the crystal. But once the cutter has succeeded in removing the coarser inclusions, the peridot is a precious stone with good wearing qualities which does not call for any special care.

An ideal summer stone

The peridot adds a wonderful variant to the colour spectrum of green gemstones. Increasingly, it is processed not only to one-offs, but also for use in series jewellery. And since the world of fashion is just in the process of rediscovering its love for the colour green, the popularity of this rich green gemstone is also very much on the up.

Thanks to the rich finds in Pakistan and Afghanistan, there is enough raw material on the market, so the ‘right stone’ can now be found to cater for each individual taste and each pocket. Large, transparent stones of an intense colour are, however, rare and correspondingly expensive. The peridot is a gemstone that you should definitely get to know better. Its fine pistachio to olive green is the perfect complement to a fresh, light summer wardrobe.

For thousands of years, the ruby has been considered one of the most valuable gemstones on Earth. It has everything a precious stone should have: magnificent colour, excellent hardness and outstanding brilliance. In addition to that, it is an extremely rare gemstone, especially in its finer qualities.

For a long time India was regarded as the ruby’s classical country of origin. In the major works of Indian literature, a rich store of knowledge about gemstones has been handed down over a period of more than two thousand years. The term ‘corundum’, which we use today, is derived from the Sanskrit word ‘kuruvinda’. The Sanskrit word for ruby is ‘ratnaraj’, which means something like ‘king of the gemstones’. And it was a royal welcome indeed which used to be prepared for it. Whenever a particularly beautiful ruby crystal was found, the ruler sent high dignitaries out to meet the precious gemstone and welcome it in appropriate style. Today, rubies still decorate the insignia of many royal households. But are they really all genuine rubies? Read on to find out more!
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Only a little bit of chrome …

Ruby is the red variety of the mineral corundum, one of the hardest minerals on Earth, of which the sapphire is also a variety. Pure corundum is colourless. Slight traces of elements such as chrome, iron, titanium or vanadium are responsible for the colour. These gemstones have excellent hardness. On the Mohs scale their score of 9 is second only to that of the diamond. Only red corundum is entitled to be called ruby, all other colours being classified as sapphires. The close relationship between the ruby and the sapphire has only been known since the beginning of the 19th century. Up to that time, red garnets or spinels were also thought to be rubies. (That, indeed, is why the ‘Black Ruby’ and the ‘Timur Ruby’, two of the British Crown Jewels, were so named, when they are not actually rubies at all, but spinels.)

Ruby, this magnificent red variety from the multi-coloured corundum family, consists of aluminium oxide and chrome as well as very fine traces of other elements - depending on which deposit it was from. In really fine colours and good clarity, however, this gemstone occurs only very rarely in the world’s mines. Somewhat paradoxically, it is actually the colouring element chrome which is responsible for this scarcity. True enough, millions of years ago, when the gemstones were being created deep inside the core of the Earth, chrome was the element which gave the ruby its wonderful colour. But at the same time it was also responsible for causing a multitude of fissures and cracks inside the crystals. Thus only very few ruby crystals were given the good conditions in which they could grow undisturbed to considerable sizes and crystallise to form perfect gemstones. For this reason, rubies of more than 3 carats in size are very rare. So it is no wonder that rubies with hardly any inclusions are so valuable that in good colours and larger sizes they achieve top prices at auctions, surpassing even those paid for diamonds in the same category.

Some rubies display a wonderful silky shine, the so-called ’silk’ of the ruby. This phenomenon is caused by very fine needles of rutile. And now and then one of the rare star rubies is found. Here too, the mineral rutile is involved: having formed a star-shaped deposit within the ruby, it causes a captivating light effect known by the experts as asterism. If rubies of this kind are cut as half-dome shaped cabochons, the result is a six-spoked star which seems to glide magically across the surface of the stone when the latter is moved. Star rubies are precious rarities. Their value depends on the beauty and attractiveness of the colour and, though only to a lesser extent, on their transparency. Fine star rubies, however, should always display rays which are fully formed all the way to the imaginary horizontal line which runs through the middle of the stone, and the star itself should be situated right in the centre.

Ruby-red means passion

Red for ruby. Ruby-red. The most important thing about this precious stone is its colour. It was not for no reason that the name ‘ruby’ was derived from the Latin word ‘rubens’, meaning ‘red’. The red of the ruby is incomparable: warm and fiery. Two magical elements are associated with the symbolism of this colour: fire and blood, implying warmth and life for mankind. So ruby-red is not just any old colour, no, it is absolutely undiluted, hot, passionate, powerful colour. Like no other gemstone, the ruby is the perfect way to express powerful feelings. Instead of symbolising a calm, controlled affection, a ring set with a precious ruby bears witness to that passionate, unbridled love that people can feel for each other.

Birthplaces of fine rubies

Which is the most beautiful ruby-red? Good question. The red of a ruby may involve very different nuances depending on its origin. The range of those nuances is quite wide, and could perhaps be compared to hotel categories, from luxury accommodation down to a plain inn or hostel. For example, if the gemstone experts refer to a ‘Burmese ruby’, they are talking about the top luxury category. However, it does not necessarily follow that the stone is of Burmese origin. It is basically an indication of the fact that the colour of the ruby in question is that typically shown by stones from the famous deposits in Burma (now Myanmar): a rich, full red with a slightly bluish hue. The colour is sometimes referred to as ‘pigeon-blood-red’, but the term ‘Burmese colour’ is a more fitting description. A connoisseur will immediately associate this colour with the legendary ‘Mogok Stone Tract’ and the gemstone centre of Mogok in the North of Myanmar. Here, the country’s famous ruby deposits lie in a mountain valley surrounded by high peaks. Painstakingly, gemstones of an irresistible luminosity are brought to light in the ‘valley of the rubies’. Unfortunately, really fine qualities are quite rare even here. The colour of a Burmese ruby is regarded as exceptionally vivid. It is said to display its unique brilliance in any light, be it natural or artificial.

The journey to the world’s most important ruby deposits takes us further on to the small town of Mong Hsu in the North-East of Myanmar, where the most important ruby deposits of the nineties lie. Originally, it was believed that these rubies would hardly prove suitable for use in jewellery, since untreated Mong Hsu ruby crystals actually display two colours: a purple to black core and a bright red periphery. Only when it had been discovered that the dark core could be turned into deep red by means of heat treatment did rubies from Mong Hsu begin to find their way on to the jewellery market. Today, the Mong Hsu gemstone mines are still among the most important ruby suppliers. In the main, they offer heat-treated rubies in commercial qualities and sizes between 0.5 and 3 carats.

Ruby deposits also exist in neighbouring Vietnam, near the Chinese border. Rubies of Vietnamese origin generally display a slightly purplish hue. Rubies from Thailand, another classical supplier, however, often have a darker red which tends towards brown. This ‘Siamese colour’ - an elegantly muted deep red - is considered second in beauty only to the Burmese colour, and is especially popular in the USA. Ceylon rubies, which have now become very rare, are mainly light red, like ripe raspberries.

Other ruby deposits are located in Northern Pakistan in the Hunza Valley, Kashmir, Tadzhikistan, Laos, Nepal, and Afghanistan. But rubies are also produced in India, where deposits with relatively large crystals were discovered in the federal states of Mysore and Orissa. These crystals have many inclusions, but they are, nevertheless, eminently suited to being cut as beads or cabochons.

Lately, people have begun to talk about East Africa as a source of rubies. Straight after their discovery in the 1960s, rubies from Kenya and Tanzania surprised the experts by their beautiful, strong colour, which may vary from light to dark red. But in the African mines too, fine and clear rubies of good colour, purity and size are very rare. Usually the qualities mined are of a merely average quality.

Colour above (almost) everything

As we have said, colour is a ruby’s most important feature. Its transparency is only of secondary importance. So inclusions do not impair the quality of a ruby unless they decrease the transparency of the stone or are located right in the centre of its table. On the contrary: inclusions within a ruby could be said to be its ‘fingerprint’, a statement of its individuality and, at the same time, proof of its genuineness and natural origin. The cut is essential: only a perfect cut will underline the beauty of this valuable and precious stone in a way befitting the ‘king of the gemstones’. However, a really perfect ruby is as rare as perfect love. If you do come across it, it will cost a small fortune. But when you have found ‘your’ ruby, don’t hesitate: hang on to it!